18世纪的浪漫主义诗歌不代表浪漫主义作为一个文学流派的全部,当时出现并广泛受大众欢迎的哥特式历史小说、爱情、家庭小说等从民间兴起的新颖奇特的文学样式成为浪漫主义文学的一股新兴力量。本文从18世纪末民间文学与巴赫金提出“的狂欢”诗学的同源同宗关系角度,探讨了这种现象的深层原因,这同时也丰富了浪漫主义文学自身的内涵,给文学找到了另一个焕发生机的源泉。 The romantic poetry of the 18th century does not represent the whole of romanticism as a literary genre. The novelty and literary style emerging from the folk, such as Gothic historical novels, love stories and family novels that were then widely accepted by the public, became romantic literature An emerging force. This article explores the underlying causes of this phenomenon from the perspective of the same origin and the relationship between the folk literature and Bakhtin’s “carnival” poetics in the late 18th century. It also enriches the connotation of the romantic literature and finds another Rejuvenate source.