欲望的挑战者——邓箭今艺术论

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早在上世纪30年代,本雅明就以他特有的敏感,意识到飞速发展的资本主义社会中新出现的事件和细节对于人们感知方式和生活方式的深刻影响。在他自杀之时始终未能完成的庞大的“巴黎拱廊街”写作计划的草稿中,他通过对19世纪初出现在巴黎的建在林荫大道之间的步行通道两旁的街景的观察,捕捉到了现代人心底里的精神体验,即一种转瞬即逝的惊颤体验,一种持续不断但却碎片化和充满诱惑性的心 As early as the 1930s, Benjamin was sensitive to his own uniqueness and realized the profound impact that new events and details in the rapidly developing capitalist society have on people’s perceptions and ways of life. In a draft of his massive “Paris Arcaded Street” writing, which he had never been able to accomplish at the time of his suicide, he examined the streetscapes of pedestrian paths between boulevards in Paris in the early 1800s , Captures the mental experience of the modern human heart, namely a fleeting experience of shaking, an ongoing but fragmented and seductive heart
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