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本期特邀编辑的《世界艺术》[World Art]中多数文章都是2010年10月东安格利亚大学[University of East Anglia,UEA]塞恩斯伯里研究所[Sainsbury Research Unit,SRU]专题研讨会中的论文。启发本期主题并使其关注“外物”[Outside Things]的事件证明,世界艺术研究具有比较和跨学科的性质。研讨会的共同组织者,也就是笔者和菲奥纳·希勒斯[Fiona Sheales]博士在参加2009年2月于SRU举行的一次研究讲座时都对其中谈到的一个形象记忆深刻,这是一个为教会庆典而制作的卡莫罗[Kamoro],巴布亚[Papuan]西南部雕刻,其中还刻有当地最早的一位传教士的面孔,也就是说他被表现为卡莫罗的一位祖先[Jacobs,2011]。因为我们的研究领域是西非艺术与物质文化,这个形象让我们联
Most of the articles featured in this edition of the World Art are Worlds in October 2010 University of East Anglia (UEA) Sainsbury Research Unit (SRU) Papers in the symposium. The events that inspired this issue and focused its attention on “Outside Things” proved that world art research is comparative and interdisciplinary in nature. The co-organizers of the seminar, the author and Dr. Fiona Sheales, remember the image they talked about when they attended a research lecture at the SRU in February 2009, which is A Kamoro made for the celebration of the church, carved southwestern of Papuan with the face of one of the earliest local missionaries, that is to say that he is represented as an ancestor of Carmorro [Jacobs, 2011]. Because our area of research is West African art and material culture, this image allows us to unite