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从70年代中期,日本的纯文学跌进谷底边缘,日渐丧失内在冲力和感染力,接受层面缩小,作为纯文学最高象征的芥川奖,从1976年到1986年上半年,空缺10届。获奖与否对于致力于艺术理想而无他求的作家并非目的,但也不应否认获奖至少从一个侧面反映了作家创作引起社会的认知程度,在相当程度上也可以说是作家最高理想的归宿。“都市文学”在逐浪沉浮的文学热潮中,及时转向,以一种新的文化气质介入文坛,化为波澜壮阔、锐不
From the mid-1970s, Japan’s pure literature fell to the brink of the trough, gradually losing its internal impulse and contagion, narrowing its acceptance level, and the Akutagawa prize, the highest symbol of pure literature, was vacated for 10 times from 1976 to the first half of 1986. It is not an end to the winners or writers who devote themselves to the ideal of art, but it should not be deny that winning the prize at least reflects the social cognition of the writers’ creation from at least one aspect. To a certain extent, this is also the highest ideal of the writer Fate. “Urban Literature ” in the waves ups and downs of literary craze, in a timely manner to a new cultural temperament involved literary, into a magnificent, sharp