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艺术区的崛起,是国内城市格局在这个十年内最显著的改变之一,无论从建筑功能、文化布局还是身份认同的意义上说。必须承认,艺术区在某种程度上造就了各方面的辉煌,让当初单纯为寻找一个租金低、空间大的创作或展示基地而自发、随机地聚拢在一起的艺术家们也始料未及。随着地价的热涨,权力机构的主导,工厂改造为艺术空间的建筑包豪斯学派的风行,艺术区适时地应和了传统产业向第三产业转型的大趋势,使儿近荒芜的城市角落呈现出新的繁华。
The rise of the art district is one of the most significant changes in the domestic urban pattern in this decade, both in terms of architectural function, cultural layout or identity. It must be admitted that the art district has, to a certain extent, created all aspects of glory so that artists who were spontaneously and randomly grouped together simply to find a low-rent, space-based creation or display base were unexpected. With the rising of land prices, the domination of power institutions, the transformation of the factory into a Bauhaus school of art space, the art district timely and with the general trend of the traditional industries to transition to the tertiary industry, so that children near deserted cities New corner of the bustling.