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解释学的创立和发展极大地推动了人类社会文明的进步。在它的发展过程中,海德格尔的“前结构”和伽达默尔的“合法化偏见”理论的完善在解释学历史上是独树一帜的。他们研究的“思维方式”的主要特色是在于突破思维方式的传统认识框架,强调主体思维的历史性。本文试图从“前结构”与“合法化偏见”的视角探析当代设计的审美,进一步挖掘在艺术品与欣赏者的审美互动中的产生机制,以其对欣赏者审美接受产生的积极作用,最终营造出艺术家与欣赏者的互动氛围。
The establishment and development of hermeneutics have greatly promoted the progress of civilization in human society. In its development, Heidegger’s “front structure ” and Gadamer’s “legalization bias ” theory perfection in history of hermeneutics is unique. The main characteristic of the “way of thinking” they studied is that they break through the traditional cognitive framework of thinking mode and emphasize the historicity of the subject’s thinking. This paper attempts to explore the aesthetic of contemporary design from the perspective of “front structure ” and “legalized bias ”, further digs into the mechanism of production in the aesthetic interaction between works of art and appreciator, with its aesthetic acceptance of the appreciator Positive role, and ultimately create an artist and appreciation of the interactive atmosphere.