论文部分内容阅读
梅里克·卡拉的画作不设边框,这份质朴格外引人注目。在她于柏林Peres Projects画廊的个展“在你面前”中展出的画作看上去像是未完成或完成度不高的——画到一半、不事加工的作品。但同时,她勾勒出的轮廓线条却十分强烈有力,使人想到毕加索和托姆布雷,又或卡密尔·亨罗特的《热带之恋》。卡拉关注的是对自我的全面检验:自我确切说来究竟是什么?它如何定义自身?它的形成是否出自经验、情绪以及产生这些经验和情绪的条件?她试图站在
Merik Kara’s paintings have no borders, this extraordinarily noticeable. The paintings on show at Peres Projects Gallery in Berlin “Before You ” look like unfinished or incomplete - half-finished works. But at the same time, the lines she sketched were very powerful, reminiscent of the “tropical love” of Picasso and Toombray, or of Carmelo Henriette. Carla focuses on a complete test of self: what exactly is self-specific? How does it define itself? Is it formed from experience, emotion, and the conditions that produce those experiences and emotions? She tries to stand