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在水彩画的创作中,“留白”无疑是创作的难点之一。一方面:作为技法和媒材的表现,留白不仅涉及到创作主体的创作体验、技巧表达,也包含对媒材自身的研究,以及对其表现张力的利用和再塑造。另一方面:“留白”作为一种审美观,还包括更为深层的东方绘画审美的文化范畴的表达。因此,本文将从水彩本体语言和东方化的审美观念等美学范畴入手深入地阐述其重要性。同时论及“留白”在当代水彩画创作中的重要意义。
In the watercolor creation, “leaving white ” is undoubtedly one of the creative difficulties. On the one hand, as a manifestation of technique and media, the blank not only involves the creative experience of the creative subject, the expression of skill, but also the research of the media itself and the utilization and reshaping of its performance tension. On the other hand, “Whiteness” as an aesthetic concept also includes the expression of a more profound cultural category of oriental painting. Therefore, this article will elaborate its importance from the aesthetic categories of watercolor ontology and orientalized aesthetic concepts. At the same time, it discusses the significance of “leaving white ” in the contemporary watercolor painting.