就“中国画创新的边界问题”,谈谈我的观点。 中国画创新有没有边界?也不宜人为地设置边界。如果看,只能针对历史的、现有的中国画绘画加以界定。随着时代的演变,已划定的界线肯定会被冲破,因此,我理解,任何边界,只是相对的,是可变的。打个比喻,最需要明确而不可变更的应该是国界,国界往往是要用鲜血来捍卫的;但是,从历史的长河看,国界一直在变化。中国从秦汉至今,历代国界的 On “Boundary Issues of Innovative Chinese Painting”, let me talk about my point of view. Is there any boundary in Chinese painting innovation? It is not appropriate to set the boundary artificially. If you look at it, you can only define historical and existing Chinese painting and painting. As the times have evolved, the demarcated boundaries will surely be broken. Therefore, I understand that any boundary is only relative and is variable. To make a metaphor, what needs to be clearly and irrevocably demarcated should be the frontiers of national boundaries, which are often defended with blood. However, from the perspective of history, borders have been changing. From the Qin and the Han Dynasties till now, China has its own national boundaries