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在40余年的诗歌写作生涯中,集子中虽有不少重复收录的作品,梁秉钧留下了十几部诗集①,这些但将它们剔除后总量仍颇为可观,估计在500首以上。稍加检视,即会发现其间巨大的题材跨度。除了写下为波德莱尔以降的现代诗人青睐的都市景观(酒店、咖啡店、电车厂、火车站、博物馆等题材悉数纳入其中,从中可以看出诗人和现代主义者相似的气质与血缘),他也写了不少与地理空间的游移、变动有关的作品,《游诗》(1985)即为其早期的汇集(这类诗从空间与政治的关系看,本是现代性症候的重要标识,不过诗人虽然将“游诗”所涉空间放在家国之外的异域,但更多是游历性质的,看不到它们与自我生存之间的错位),此外,诗人还写了大量食物志式的诗,
In more than 40 years of his poetry writing career, although there are quite a few duplicate works in his collection, Liang Bing-jun left more than a dozen poems. However, after excluding them, the total amount is still quite impressive, at an estimated 500 or more. A little view, you will find a huge subject span. In addition to writing the urban landscape favored by Baudelaire’s modern poets (hotels, coffee shops, trams, railway stations, museums and other topics are all included, from which one can see the similar qualities and bloodlines of poets and modernists) He also wrote a number of works related to the movement and change in geospatial space. The poem “Traveling Poems” (1985) is the early collection of such poems (these poems, from the perspective of space and politics, are the most important symptoms of modernity However, although the poet places the space involved in the poetic ’s space outside the home country, but more travel nature, can not see their dislocation between self and survival), in addition, Food-style poetry,