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作为二战后当代法国影坛最重要的导演,风格难以归类的贝特朗·塔维尼埃把历史性与当下性作为贯穿个人作品的轴线。一方面借由个体体验重构历史真相,另一方面通过对当下社会问题的揭露来反思现实。通过两条不同的时间路径,塔维尼埃的电影展现出饱满的历史观和电影作者的道德感。同时,选择一战与青少年问题作为检阅历史与当下的入口,以微观历史的方式展示历史的两面,标注历史的真实走向,使塔维尼埃的电影跳出了历史类型片的程式化窠臼。
As the most important director of the contemporary French cinema after World War II, Bertrand Tavigny, whose genre is hard to classify, uses the historical and present nature as the axis of his personal work. On the one hand, we reconstruct the historical truth by means of individual experience and on the other hand, we reflect on the reality by exposing the current social problems. Through two different time paths, Tavigny’s films show a rich history and a sense of morality for the film’s author. At the same time, we choose World War I and the issue of adolescents as the reviewing and current entrances, revealing the two sides of history in a micro-historical way and annotating the true history of the past. This makes Tavernier’s movie jump out of the stylization of historical genres.