蒋乾是明代浙派画家蒋嵩之子,其绘画并不如乃父那般知名,故而一般画史典籍大多只提及一笔而已,且至今未见有专门研究者。但在他的不多的传世作品中仍有伪作或需进一步考鉴的画作,其中某些作品被收入了《中国美术全集》中。因此,为避免以讹传讹,并能对其人其艺有较确切的认识,本文拟先对《抱琴独坐图》作考辨研究,在比较研究中兼谈一点对蒋乾传世画作的认识,为画史研究做些拾遗补阙的工作。 Jiang Qian was the son of Jiang Song, an artist of the Zhepai ​​School of Ming Dynasty in Ming Dynasty. His painting was not as famous as his father. Therefore, most of the paintings in history generally refer to only one stroke, and so far no special researcher has been found. However, there are still some fake works in his few works handed down or need further study. Some of them are included in the Complete Works of Chinese Art. Therefore, in order to avoid erroneous assertions and to have a more accurate understanding of their art, this article first of all to do a research on the “hug piano sitting on the map”, in the comparative study of a little on Jiang’s biography, To do some research on the painting history complement Que work.