2007年12月上旬,我应邀赴芬兰TURKU音乐学院讲学,并在该院的大提琴大师班上指导了八位大提琴专业学生。从专业角度来讲,这些欧洲学生在大提琴的音准、发音、揉弦以及对音乐的理解这四个方面的出色表现,给我留下了深刻的印象。首先,就以弦乐演奏中最为关键的音准问题为例,在我所指导的近11个小时的大师班公开课中,仅有一次,当某个学生在演奏 In early December 2007, I was invited to give a lecture at the TURKU Conservatory of Music in Finland, where I led eight major cellos major students. From a professional point of view, these European students in the cello pitch, pronunciation, rubbing strings and understanding of music in these four aspects of outstanding performance, left a deep impression on me. First of all, taking the most crucial pitch problem in string playing as an example, in the nearly 11-hour master class open class that I directed, there was only one time when a student was playing