回顾人民共和国的电影发展历程,我们不难发现,中国少数民族电影以自身非同凡俗的人文景观和审美特色,醒目地占据在当代中国影坛独具风采的行列里。它的发展往往能够独辟蹊径,它进步的每一情势与思潮。总是以少数民族文化的潜流,作为其深厚底蕴,因而少数民族电影通常能够推出一些令人难以忘怀的镜头艺术形象和技巧,展示出其文化人类学意义上的基本特征。 Recalling the history of the film development in the People’s Republic of China, we can easily find out that Chinese minority nationalities films occupy the unique style of contemporary Chinese film with their unique cultural landscape and aesthetic features. Its development is often capable of developing its own style and trend of thought. The undercurrent of the minority culture is always used as its profound foundation. Therefore, ethnic minority films can often introduce some unforgettable images and techniques of the lens art and demonstrate their basic cultural anthropological meanings.