绘画表现中视与知的意义——以具象绘画表现为例

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绘画是心与物,眼与手,主观与客观的统一,怎样看与怎样想,决定了怎样绘画表现。在绘画表现中,我们把“视”理解为观看,观察,外在感受,把“知”理解为对事物本质规律的认知。具象绘画注重的是对外在世界的再现和模仿,然而,不同的民族和地域,具象绘画表现方式大不一样,都是具象绘画,有的民族画自己看到的,如欧洲的写实性绘画,而有的民族画自己知道的和理解 Painting is the unity of the mind and the object, the eye and the hand, the subjective and the objective, how to see and how to think, and how to determine the performance of painting. In the performance of painting, we interpret “sight ” as the observation, observation, external feeling, and “knowing” as the cognition of the essential law of things. However, different nationalities and regions have quite different ways of presenting figurative paintings. They are all figurative paintings, and some ethnic paintings themselves see, such as the realistic painting in Europe, And some nationalities know and understand
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