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从《一九三四年的逃亡》到《城北地带》,从《妻妾成群》到《我的帝王生涯》,从《河岸》到《黄雀记》。苏童三十多年来的小说,在时间/空间、历史/现实、先锋/传统、激荡/颓废、抒情/写实等方面彰显着当代作家对族群记忆和时代镜像的深刻反思。苏童的意义不仅在于小说家如何重构记忆中南方的幽僻颓圮之所,更在于当代作家如何于先锋与日常、想象与真实、抒情与欲望之间任意游走。借助中国传统资源,苏童独特的历史经验于无声处转化成一个又一个奇谲瑰
From “the flight from 1934” to “the north of the city”, from “Wives and Concubines” to “my emperors’ career”, from “riverbanks” to “yellow bird records.” In the novels of more than thirty years, Su Tong reflects contemporary writers’ profound reflection on ethnic memory and the mirror of the times in such aspects as time / space, history / reality, vanguard / tradition, stirring / decadent, lyricism / realistic writing. The significance of Su Tong lies not only in how the novelist reconstructs the secluded and depraved South in memory, but also how contemporary writers walk freely between avant-garde and daily life, imagination and reality, and lyricism and desire. With China’s traditional resources, Su Tong’s unique historical experience in the silent Department into one after another odd