论文部分内容阅读
从汉魏到两晋南北朝,经典注释的体例和面貌发生了明显的转变。其中之一是以裴松之《三国志注》为标志,史注打破了对经注的因袭模拟,确立了经典注释的征引范式。这一注释范式影响深远,刘孝标《世说注》、郦道元《水经注》与李善《文选注》皆承其绪,又各有发明,合称四大名注。四大名注皆征引浩繁,然而因其所注原书之性质、内容有异,故对典籍之征引亦各有侧重,从中又可见出时代学术之特色。四大名注的产生,除经典注释发展自身的原因外,与南朝以来重视知识、重视典故的学术风气以及四位注者个人的学术追求有关,也离不开时代典籍之富这一必要条件。
From the Han and Wei Dynasties to the Southern and Northern Dynasties, the style and appearance of the classic annotation have undergone obvious changes. One of them is marked by Pei Songzhi’s “Notes of the Three Kingdoms”. The history note breaks the analogy of the succession of the warp notes and establishes the quotation paradigm of classical notes. This annotation paradigm has a far-reaching impact. Liu Xiaobiao’s Shi Shuxin, Li Daoyuan Shuijing Jing and Lishan Wenxuanzhu are all excellent candidates for their motivation. However, due to the nature and content of the original book, the characteristics of the academic books in the era can be clearly seen. The emergence of the four famous notions, apart from the reasons for the development of the classic annotations, is related to the academic atmosphere of knowledge and allusion to the allusions since the Southern Dynasties and to the individual academic pursuit of the four followers, and to the necessity of enriching the ancient classics.