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在电视人物专题片中,人是直接的主角,是表达的主体。它关注于人的事迹和经历,期望用人物的道德力量和事迹去感染观看的人,又或是着眼于那些由于种种原因而遭遇到不幸的人群,以期将他们悲剧性的命运和社会给予他们的同情都表现出来,更重要的是要对他们对命运的抗争进行肯定。电视人物专题片多层面、全方位地反映了人与人、人与自我、人与自然、人与社会之间的联系。伴随着这些联系,必然会生发出众多故事,而故事是支撑起一部电视人物专题片中人物艺术生命的前提,而对这些故事的表现及对故事中人物情感的表达的要求则决定了整部电视人物专题片的叙事手段。这就要求在创作的时候要合理有效的运用叙事手段,他的地位不仅是整体建构的基础,更是专题片形成鲜明艺术特色的根本。
In the TV feature film, people are the direct protagonist, is the main expression. It focuses on human deeds and experiences, expects to infect the watchers with the moral power and deeds of the characters, or focuses on those who have suffered unfortunate encounters due to various reasons with a view to giving them their tragic fate and society The sympathy is manifested, more importantly, their affirmation of the fate of the fight. TV feature film multi-level, all-round reflection of people, people and self, man and nature, the link between man and society. With these connections, many stories are bound to emerge, and the story is a prerequisite for supporting the artistic life of a character in a television personality. The performance of these stories and the expression of emotions in the stories determine the whole story Narrative Means of TV Feature Film. This requires the use of narrative techniques in a reasonable and effective manner at the time of writing. His position is not only the basis of the overall construction, but also the basis for the formation of distinctive artistic features in the feature films.