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始于1851年的世博会曾经是现代社会集中展示工业技术成果和国力的方式,至20世纪末期,随着全球资讯传播和人员交流的日益发达,世博会不再是世界各国竞赛国力的擂台,而演变成一个大众娱乐时代的主题公园和热闹的嘉年华,然而其通过国家馆展示本国的先进技术和物质文明成就的主体内容和形式并未改变。人类的物质文化成就与工业文明的成果在很多时候都是通过设计体现出来的,因而世博会的历史也成为现代设计发展历史的一个典型的缩影。本期梁梅的文章对作为设计史的世博会历史做了回顾。波特罗是南美哥伦比亚艺术家,也是当代最有成就的艺术大师之一。以往人们对他的绘画作品较为熟悉,对他在雕塑方面的卓著成就却了解不多。本期郅敏的文章以艺术家的艺术和心理发展历程为线索分析介绍了波特罗的雕塑艺术。
The World Expo that started in 1851 was a way for modern society to showcase the achievements of industrial technology and its national strength. By the end of the 20th century, with the development of global information dissemination and personnel exchanges, the World Expo was no longer the arena of the national competitions in the world, but evolved Into a theme park for the mass entertainment era and a lively carnival. However, the contents and form of the main contents of its achievements in demonstrating its own advanced technology and material civilization through the National Pavilion have not changed. The achievements of human material and cultural achievements and industrial civilization are often reflected through the design. Therefore, the history of World Expo has become a typical microcosm of the history of modern design. This issue of Liang Mei’s article reviews the history of the World Expo as a design history. Botero is a South American and Colombian artist and one of the most accomplished contemporary art masters. In the past, people were more familiar with his paintings and did not know much about his outstanding achievements in sculpture. This issue of Min-Min’s article introduces Botero’s sculpture art based on the artist’s psychological and psychological development.