论文部分内容阅读
在中国音乐几千年的历史发展过程中,从业者们始终遵循着“百家争鸣、百花齐放、推陈出新”的发展原则。在新的历史时期下,从业者如何利用当前多元开放的社会现实,用科学的态度对民乐演奏进行审视和完善,是一项很重要的研究课题。文章以民乐演奏与西乐演奏的双向交融,民乐演奏与声乐、舞蹈的三位一体,民乐演奏与各种艺术文化的多元交汇为三大理论视角,对民乐演奏多元开放的新趋势进行论述,希望为当代民乐演奏艺术的发展,提供理性思辨与艺术实践的双重参照。
In the history of Chinese music for thousands of years of development, practitioners have always followed the “one hundred schools of thought, flourishing, innovation” principle of development. In the new historical period, practitioners how to use the current pluralistic open social reality, with a scientific attitude to look at and improve folk music performance is an important research topic. This article discusses the new trend of diversified opening of folk music playing with the two-way blending of folk music performance and western music performance, trinity of folk music performance and vocal music and dance, folk music performance and various arts and culture, The development of folk music performance art provides double reference of rational speculation and artistic practice.