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川剧《金子》的成功实际上是话剧《原野》戏曲化、川剧化的成功,说到底,就是以川剧的表演艺术形式,成功地完成了对《原野》主题意义、故事结构和人物形象的创新表达。其表现形式由话剧变为了川剧,这是“伤筋动骨”的改编,而不仅仅是“脱皮换形”的移植。虽然作品的内核还是曹禺的,但皮肉筋骨甚至更深层次的东西已被川剧这种表演艺术形式所改变。本文详细讨论了川剧形式对《原野》中“金子”形象的重置和该剧在川剧传统形式革新实验中的心理剧特色等问题。
The success of the “Gold” of the Sichuan Opera was in fact the success of the opera “Wilderness” dramatization and Sichuan Operatization. In the final analysis, the success of the “Gold” of the Sichuan Opera was accomplished successfully through the performing arts of the Sichuan Opera. It successfully completed the innovation of the theme, the story structure and the characters expression. Its manifestations changed from drama to Sichuan opera, which is an adaptation of “wasting” and not just a “peeling” transformation. Although the core of the work is still Cao Yu, the skin even more profound things have been changed by the performing arts form of Sichuan Opera. This article discusses in detail the resettlement of the “Jin Zi” image in the “Wilderness” and the drama features of the drama in the traditional experiment of Sichuan Opera reform.