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西方视觉文化研究领军人物米歇尔所著的《图像理论》是有关现代西方美术理论的扛鼎之作,已对国内的图像理论研究产生了一定的影响。我们以其核心术语ekphrasis为例,从词源学着手,考察当今国内学界林林总总的汉译情形,分析ekphrasis不同译名的原因,结合源语语境、术语意识、译语选择等方面探究了西方重要美术论著的术语汉译问题。我们认为,译者是翻译实践的主体,面对学术性著述,一定要有术语意识,努力将西方术语转换成关联度较大、符合专业理据内涵、匹配度较高的汉语译名。
The “image theory” by Michelle, the leader of western visual culture research, is the work carried by the theory of modern western art and has exerted a certain influence on the research of the domestic image theory. Taking ekphrasis as its core terminology, ekphrasis is taken as an example. Based on etymology, we examine the numerous translation situations in domestic academic circles, analyze the reasons for different translations of ekphrasis, and explore the importance of the West in terms of source language context, terminology awareness and choice of target language On Translation of Terminology in Fine Art Works. In our opinion, the translator is the main body of translation practice. In the face of academic writings, we must have the sense of terminology and strive to translate the Western terminology into a Chinese translation with a high degree of relevance and in line with professional connotation and high degree of matching.