京剧锣鼓作素来有“七分锣鼓半台戏”的说法。随着时间的推移,京剧创作中对于锣鼓重要性的认识却日益减弱,甚至一度在舞台上刻意淡化对锣鼓的运用,故不得不为京剧锣鼓的前景堪忧。十分应该对传统京剧锣鼓有一个重新的认识,思考京剧锣鼓在传统、传承、传播与新时期、新思路之间的辩证关系。 Beijing Opera percussion as “” seven percussion half stage "argument. With the passage of time, awareness of the importance of percussion in Peking opera has been diminishing. Even once deliberately played down percussion on the stage, the prospect of percussion for Beijing opera has to be worrying. It is very important to have a new understanding of the traditional percussion opera in Beijing, and to consider the dialectical relationship between percussion and percussion in Beijing opera.