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一、两种写作路向近读谢有顺的《此时的事物》一书,看到其中有这么一段话:“回想整个20世纪以来的文学,由于过度崇尚想象与虚构,以致现在的作家,几乎都热衷于成为纸上的虚构者,而不再使用自己的眼睛和耳朵写作,也忘记了自己身上还有鼻子和舌头。于是,作家的想象越来越怪异、荒诞,但作家的感官对世界的接触和感知却被全面窒息。写作者普遍戴着文化的面具,关心的多是宏阔、伟大、远方的事物,而身边那些具体、细小、卑微、密实的事物呢,不仅进入不了作家的视野,甚至没人再对它们感兴趣。
First, the two kinds of writing way To read Xie Youshun's ”things at this time,“ a book, I saw there is such a passage: ”Recalling the literature since the 20th century, due to over-worship of imagination and fiction, and now the writer, almost Are keen to become fictional paper, instead of using their own eyes and ears to write, but also forget that they have the nose and tongue.So, the writer's imagination more and more weird and absurd, but the writer's senses to the world Of the contact and perception are completely suffocated.Writers generally wear a cultural mask, mostly concerned about the vast, great, distant things, and those around those specific, small, humble, dense things, not only can not enter the writer's Horizons, no one even interested in them.