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20世纪90年代以来,数字技术的全面运用深刻改变了我们的生活方式和价值观念,重塑了我们的文化形态。阿兰·科比认为,数字现代主义这一新的文化范式已取代后现代主义,成为新的文化主导。文本的电脑化所导致的一种新形式的文本性,在电视真人秀好莱坞三维数字动画电影、网络Web 2.0模式等诸多当代文化产品中随处可见。数字现代文化用一本正经的主体态度凸显未经任何加工的显在真实,用无休止的叙事来讲述空洞乏味的故事,并导致整体上反启蒙的文化幼稚化取向。
Since the 90s of the 20th century, the full application of digital technology has profoundly changed our way of life and values and reshaped our cultural forms. Alain Kobeer believes that the new paradigm of digital modernism has replaced postmodernism as the new cultural leader. A new form of textuality resulting from the computerization of texts is found in many contemporary cultural products such as the reality TV Hollywood 3D digital movie, the Web Web 2.0 model. Digital modern culture, with a decent subject attitude, highlights the untruthfulness of any processing, tells a dull story with an endless narrative, and leads to a culturally naive generalization of anti-enlightenment.