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电影《无人区》的独特之处在于它以寓言的形式探讨了现代文明深处的恶,通过将缺席的文明与在场的荒蛮并置起来,导演表达了他对当下社会的批评。修改后上映的《无人区》明显增加了一个主旋律的尾巴:劫后余生的舞女开始了一段崭新的生活。这种好莱坞式的结尾与其说代表了一种艺术的妥协,毋宁说它代表了一种权力介入的姿态。
The unique feature of the no man’s land is that it explores the evil in the depths of modern civilization in the form of an allegorical expression of his criticism of the present society by juxtaposing the absent civilization with the presence of brutality. The revised release of “no man’s land” significantly increased the tail of a main theme: the rest of the dancers began a new life. Instead of representing this art compromise, this Hollywood-like ending represents rather a gesture of power involvement.