米勒绘画的情感充沛,与其生活经历、宗教信仰和人格特征紧密相关。他的农村题材细腻、凝练、质朴,真实再现了法国农民的生活,且满怀爱、良知、怜悯、信仰、谦恭、平等的道德关怀和社会批判意识,可并入真感、美感、善感三个范式。由于阶级立场的局限性,革命性、戏剧性不足削落了作品表现力。 Emotional pleasures of Miller’s paintings are closely related to their life experiences, religious beliefs and personality traits. His rural theme is exquisite, concise, rustic and truly reproduces the life of French peasants. He is full of love, conscience, compassion, faith, courtesy, equality of moral concern and sense of social criticism, and incorporates three realism, beauty and goodness Paradigm. Due to the limitation of class position, the revolutionary and theatrical lacked the expressiveness of the work.