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面对后现代高科技社会的文学表征危机,美国当代作家诺曼·梅勒积极探索并尝试新的表现策略,创作了美国历史上几个不同凡响的人物的传记,其中最典型的是影星玛莉琳·梦露、杀人犯盖瑞·吉尔莫和李·哈维·奥斯瓦尔德的传记。在这些传记中,梅勒完全打破了传统的传记叙事方式,摘用了大量的剪报、他人的传记文本、他自己先前的文本(小说)、照片、私人信件和日记等文本形式,构成了一个文本的狂欢世界,使读者意识到历史虽然是客观存在,却只能从各式各样的文本踪迹中去了解和感知,从而质疑甚至颠覆了作为宏大叙事的官方历史文本,使历史呈现出文本性和多元性。
In the face of the crisis of literary representation in the post-modern high-tech society, the contemporary American writer Norman Mailer actively explored and tried new performance strategies and created biographies of several extraordinary characters in American history. The most typical example is the movie Starma Lily Monroe, biography of murderers Gary Gilmore and Lee Harvey Oswald. In these biographies, Mailer completely breaks down the traditional biographical narrative style and extracts a large number of newspaper clippings, other biographical texts, his own previous texts (fictions), photographs, personal letters and diaries and other text forms The revelry world of text enables readers to realize that although history is an objective reality, it can only understand and perceive from various textual traces to question or even subvert the official historical texts as grand narratives and make texts appear in history Sexuality and diversity.