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一“气韵”作为一个审美概念,首先是在中古时期~①的文论中提出来的。南梁萧子显(489~537)在《南齐书·文学传论》中称:“史臣日:文章者,盖情性之风标,神明之律吕也。蕴思含毫,游心内运;放言落纸,气韵天成。”~②不久,谢赫(约464~约549)便进一步将“气韵”作为他在《画品》中品评画家“六法”之中的第一法:“六法者何?一气韵,生动是也;二骨法,用笔是也;三应物,象形是也;四随类,赋彩是也;五经营,位置是也;六传移,模写是也。”~③随着谢赫将“气韵”引入画论并作为“画有六法”之第一法,之后这一审美概念便在画
A “charm ” as an aesthetic concept, first of all in the medieval period ~ 1 literary theory put forward. Nan Liang Xiao Zixian (489 ~ 537) in the “Book of Nan Qi literature,” said: “History of Morris: articles who, covering the wind vane, the law of Lu Lu Yi. ”Soon afterwards, Sheikh (464 ~ 549) further considered“ Qi Yun ”as the first of his works in the category of“ Painter ”and“ Six Methods ” A law: “Six law who a? Rhyme, vivid is also; two bone method, the pen is also; three things, the pictogram is also; four categories, the color is also; five business, the location is also; As Sheikh introduces ”Qi Yun“ into the painting theory and acts as the ”first method“ of ”drawing six methods", after which the aesthetic concept is drawn