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数字虚拟技术一方面造就虚拟世界及其虚拟主体间性,一方面形成人类新的感性实践方式,完成了主体间性哲学难以完成的对主体性哲学的超越,促使人的感性解放程度得到空前提高,从而为人的全面发展架起了一座自由互通的桥梁。在文艺审美活动中,数字虚拟艺术实现了接受者与艺术品、艺术家之间的互动,在实时交流中强化了身临其境的感知经验。但艺术的数字化生产、美学的数字化生存也使艺术的精神品质、文化品格等内在价值被商业市场所放逐,这需要我们冷静理性地反思。
On the one hand, digital virtual technology creates the virtual world and its virtual intersubjectivity. On the one hand, it forms a new way of perceptual practice of mankind and completes the transcendence of subjectivity philosophy which is difficult to be accomplished by intersubjectivity philosophy, and promotes the unprecedented increase of human perceptual liberation , Thus building a bridge of freedom and mutual access for the all-round development of man. In literary and aesthetic activities, digital virtual art realizes the interaction between the recipient and the artworks and artists, and intensifies the immersive experience in real-time communication. However, the digital production of art and the digitized existence of aesthetics also exacerbate the intrinsic value of artistic spiritual quality and cultural character by the commercial market. This requires us to reflect calmly and rationally.