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阿迪力·吐尼亚孜是一位具有一定影响力的维吾尔族朦胧诗人。维吾尔朦胧诗歌现象从1986年诞生开始到现在,已经经历了三十年的创作历程。按本质上面的特质,维吾尔朦胧诗歌现象可以分为前朦胧时期和后朦胧时期两个阶段。艾合买提江·吾斯曼等起着先锋作用的前朦胧时期主要在诗歌创作结构的更新、内容的朦胧化和新颖思想的接受方面作出了划时代的贡献。而属于后朦胧时代的阿迪力·吐尼亚孜等人在接受新颖思想的同时,又在反思自我、创新诗歌语言、挖掘传统、创新结构和扩大诗境等方面作出贡献。作为一名创作宗教色彩浓厚的诗作的作者,他在自己独特的诗歌领域里也表达出比较强烈的本能和潜意识。我在本论文中主要分析阿迪力的《洗牙》一诗,展开自己对其诗作中表现的本能论的看法。
Adili Li Geni Zi is an influential Uygur misty poet. Uygur misty poetry phenomenon from its birth in 1986 until now, has gone through three decades of creative history. According to the nature above, the phenomenon of Uygur misty poetry can be divided into two stages: the former hazy period and the later hazy period. The pre-vague period that played a vanguard role, such as Aihemaidijiang and Wusiman, made epoch-making contributions mainly to the renewal of the composition of poetry, the obfuscation of content, and the acceptance of new ideas. At the same time, Adili, Tuniyazi and others who belong to the post-obscure times, while accepting new ideas, make their own contributions in the aspects of self-reflection, innovation in the language of poetry, excavation of traditions, innovation in structure and expansion of poetic conception. As a writer who creates a strong religious poem, he also expresses his strong instinct and subconsciousness in his unique field of poetry. In this thesis, I mainly analyze Adili’s “Scalp” poem, and start my own view of the instinct of performance in her poems.