艺术与科技,这两个似乎是不相干的概念,却在北京帝门画廊的首展中实现了零距离接触。林书民是定居纽约的中国台湾艺术家,在他的参与性影像装置作品中,我们充分体验了一次艺术与科技的相交相融的对话与私语。两座白色山形的树脂椅座被分别放置在地面的投影屏幕两端,有如两座隔水相望的山峰,而头顶的投影仪则将一池荷叶的影像投向置于地面的屏幕上。当参与作品的两位观众各坐一端,戴上经信息处理与视频投影相连的数字频率分析的脑电描记器的金属头箍后,他们之间的一次“内功”较量也就 Art and technology, both seemingly irrelevant concepts, have come in close contact with the debut of Beijing’s Tegent Gallery. Jeremy Lin was a Taiwanese artist settling in New York City. In his participatory video installations, we fully experienced the dialogue and whispers of the intersection of art and technology. Two white, chevron-shaped resin seats were placed on the ground at both ends of the projection screen, like two peaks across the water, while overhead projector will be a lot of lotus leaf image placed on the ground screen. When one of the two viewers in the work sat on one end and put on the headband of the electroencephalograph after digital processing of the frequency analysis connected to the video projection, a “power” contest between them took place