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检点2002年末艺事,可用“乱花迷眼”来形容,而纷繁之中不乏抢眼之景,比如“首届广州当代艺术三年展”,以文本和回顾展的方式来复演上个世纪90年代的“凶猛动物”“历史”,意义独特。三年展借助南方发达的媒体产业将这部艺术史推进到民众生活中去的实践,不只是艺术行为更是城市行为。前者以艺术何必与大众“生死两茫茫”的发问为代表,后者则将艺展纳入到城市先进文化建设的体系中,这一思想无疑会在不远的未来产生艺术与城市双赢的成果。这在上海近年来的一系列展事中也有所体现,双年展和国宝展上来自四面八方的汹涌人群是为明证。艺术本不该只是圈子里的事。 因“一城二展”同时受到关注的“首届广州中国当代艺术展”在网上遭遇美院学生掷来的5块香蕉皮,少年意气中不乏真识。前段时间在杭州中国美术学院做过讲座的台湾陆蓉之教授回台后也在网上看到了来自美院学生的批评,陆蓉之教授在回帖中坦言了自己“心里难过”的事实,同时数番回帖耐心解说个人看法,张贴长长的文章进一步说明。其真诚交流的心态隔网犹见,与美院学生的直率相映成趣。
Check the end of the art in late 2002, can be used to describe the “messy eyes”, and there are many eye-catching scenes, such as the “First Guangzhou Triennial of Contemporary Art” to text and retrospective exhibition to repeat the last century 90 The “ferocious animals” and “history” of the years are of unique significance. Triennial use of the southern developed media industry to promote this art history into the practice of public life, not just artistic behavior is more urban behavior. The former is represented by the question of why art has to do with the mass life and death, while the latter incorporates art exhibitions into the system of urban advanced culture. This idea undoubtedly will produce a win-win outcome of art and city in the near future. This is also reflected in a series of Shanghai exhibitions in recent years, as evidenced by crowds from all walks of life at the Biennale and the National Exhibition. Art should not just be something in the circle. Due to the “One City, Two Exhibition,” the same time being concerned about the “Guangzhou China Contemporary Art Exhibition” met on the Internet thrown by the Academy students banana peel, juvenile mood no shortage of real knowledge. Some time ago in Hangzhou, China Academy of Art lectures Professor Lu Rongzhi also returned to Taiwan after seeing online criticism from the Academy of Art students, Professor Lu Rongzhi replied frankly his “sad” fact, while several replies patiently explained Personal view, post a long article further instructions. The mentality of sincere exchange between the network Utah see, with the Academy of Arts students in direct contrast.