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当我们在讨论西部文学这个概念时,会有一个突兀的发现,即在现代文学史上,西部基本是一个被忽视的地域。即使当时有延安文学、西部少数民族文学,但是它们无论在哪个版本的现代文学史上都没有多少地位,仅仅是一笔而已。西部文学是在当代突显的一个概念。这种突显有多方面的原因,但其中最重要的一点便是西部作家(或与西部有关的作家)的文学自觉。这种自觉使作家们与自己的日常体验、生存环境、独特的自然生态与文化生态背景都吻合了。从文化视野的角度来看,其实正是西部独特、深厚、丰富的自然生态和精神文化生态将这些作家确立了起来。那么,首先我们要考察的是,在西部,究竟有哪些资源是西部文学赖以存在与发展的生态资源呢?
When we discuss the concept of western literature, there will be a surprise finding that in the history of modern literature, the western region is basically a neglected area. Even though there was Yan’an Literature and Western Minority Literature at the time, they did not have much position in any edition of modern literary history, just a stroke. Western literature is a concept highlighted in the present. This prominence has many reasons, but the most important point is the literary consciousness of western writers (or writers associated with the West). This kind of conscientiousness makes writers alike with their own daily experience, living environment, unique natural ecology and cultural ecological background. From a cultural perspective, it is actually the unique, profound and rich natural and spiritual culture of the West that established these writers. So, first of all, what we want to examine is what resources in the west are the ecological resources upon which western literature depends for its existence and development?