最初阅读魏微,是通过她的《流年》,纠缠我的不是微湖闸那段涌动着浮躁又略显寂寞的似水流年,而是关于“七十年代后”的女性作家,她们的思想观念,她们面对生活的姿态,以及她们在书写中放逐自我的方式。六十年代出生的女性作家,比如陈染、比如林白,她们的书写在于建构属于女性自 Wei Wei was originally read, through her “fleeting”, entangled me not the period of impetuous and slightly lonely in the micro-Lake slumber, but about “seventies” of female writers, their Ideas and attitudes, the attitude they face in life, and the way in which they exile themselves in writing. Female writers born in the 1960s, such as Chen Ran, such as Lin Bai, wrote in the form of women