中国书画原属一脉,但如今的书画市场却是书大大不如画。具体到近现代这个中西碰撞、古今交融的时刻,真真是中国书画史上的一个繁荣巅峰,然而,书不如画的现象却更加鲜明,如吴昌硕、齐白石、黄宾虹等,单在书法史上也足以名世,但却长期处在书名为画名所掩的地位,着实令书界尴尬。好在,近些年随着业界人士的宣传、收藏群体的扩大以及“民国热”的久盛不衰,民国书法也开始逐渐进入人们的视野。与民国画家动辄百万千万的画价相比,书法的性价比要高出很多,“黑马”之声不绝如缕,人们期待书法 Chinese painting and calligraphy was originally a pulse, but now the painting and calligraphy market is a lot less than a book. Specific to the modern collision this time, ancient and modern blend of truth, is really a peak in the history of Chinese painting and calligraphy, however, the phenomenon of the book is more picturesque, such as Wu Changshuo, Qi Baishi, Huang Binhong, etc., in the calligraphy history alone enough , But it has long been in the title of the title of the book to cover the status of the book really embarrassed. Fortunately, in recent years, with the propaganda of the industry, the expansion of collectivist groups, and the prolonged prosperity of the Republic of China, the calligraphy of the Republic of China began to gradually come into view. Compared with the painting prices of millions of people in the Republic of China, the cost of calligraphy is much higher, and the sound of “dark horse” is inexhaustible. People expect calligraphy