艺术家石青的“腹地计划”探讨的是全球化背景下的地方性问题,并希望回到问题的“最初发生地”:茶叶、十三行等近代社会的全球化符号得以被再演绎。十三行和城市中的网球场居然联系到了在一起,茶叶生产则用来作为艺术生产的参照对象,并借此指出:当代艺术生产和茶叶贸易一样,是悬浮和架空于本 Artist Shi Qing’s “Plan of the Hinterland” explores the local problems in the context of globalization and hopes to return to the “original place of origin” of the question: the symbol of globalization in modern society such as tea leaves and thirteen lines can be Re-interpretation. Thirteen lines and tennis courts in the city are actually linked together, and tea production is used as a reference point for art production. It points out that contemporary art production, like tea trade, is suspended and overhead