论文部分内容阅读
西方结构主义对文学作品的结构和功能有着许多深刻剖析。中国人却从结构分层两个层面来看:一、结构之道,二、结构之技。作为作品的审美特征,本文结合明代小说论述开来。中国古典小说尤其是明代小说都是按照事件自然而然的演讲来铺叙,通过事件单元来组成整个故事。明代小说大结构大起大结,首压相衔,中间关锁照应,这种结构上的特色也是除了均衡形式外,也是作者叙述观点的需要。
Western structuralism has many profound analyzes of the structure and function of literary works. Chinese people are from the structural stratification of two levels: First, the structure of the road, and second, the technology of the structure. As the aesthetic characteristics of the works, this article discusses the Ming Dynasty novels. Chinese classical novels, especially the novels of the Ming Dynasty, are narrated according to the natural speech of the events and formed the whole story through the event unit. The great structure of the novels in the Ming Dynasty started with a great deal of arduous strokes, with the highest pressure and the highest degree of closure. The structural features of this novel are also the need of the author to narrate the views in addition to the balanced form.