电影以及其后来的发展(实际是同步的),特别是定型之后,电视、录像、电脑和网络,都是令观众参与其中的可恶的/讨厌的工场。也就是说,在里面,我们进行价值生产性劳动。正是如此,人们在电影影像里并通过影像的活动,从雾蒙蒙的游弋影像之中,洞悉出一个结合社会、精神、物质之间的相互关系,也正是在这样的关系中我们乐活着。这种观点,指出在电影银幕面前,我们不仅面对着每场戏的影像,而且也要面对这些影像的逻辑与内涵。在这样的 Movies, and later developments (actually synchronized), especially stereotypes, television, video, computers and the Internet are all abhorrent / nasty workshops in which viewers are involved. That is, on the inside, we carry out productive labor. It is for this reason that people in the movie images and through the activities of the images learn from the misty images of the crucifixion to find out the relationship between the society, the spirit and the material, and it is in this relationship that we are still alive . This view points out that in front of the movie screen, we not only face the images of each scene, but also face the logic and intension of these images. In this way