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缘起此时,朝阳区文联提出一个想法:画朝阳,画当代的朝阳。从渊源来说,“现代化的朝阳”在中国传统绘画里面也没表现过,如何用传统意味深远的中国画法表现现代化的城市,这并不是一蹴而就的问题,而且是个难题。“就学术而言,我们在以往的绘画中很难找到以现代化的城市为角度的绘画,因此,如何在题材上找准新东西这是一个需要考虑的问题。”江源说。深入与上升,是江源思考的方向。半年以后,“城市风情画”
Origins At this point, Chaoyang District Federation of Literary and put forward an idea: painting the sun, painting contemporary sun. From its origins, “Modern Chaoyang” has not shown in traditional Chinese painting. How to represent the modernized city in the traditional Chinese painting with far-reaching significance is not a one-step problem, but also a difficult one. “As far as academia is concerned, drawing on the modern city is very difficult to find in previous paintings. Therefore, how to find new things in the subject matter is a question that needs to be considered.” Jiang said. Deep and rising, is the direction of Jiang Yuan thinking. Six months later, “urban style painting ”