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由于电影的综合艺术特质,电影研究不仅需要研究者自身生命体验的介入,更需要其他不同学科、艺术与专业介入研究。作者指出,在电影与小说乃至其他专业学科互相借鉴技巧、日趋杂糅的情况下,研究者只有在不同研究对象间游走并出离,进而以他者的视角介入对象,才能赋予电影乃至于所有专业研究更强烈的生命力,也才能使得学术更有普遍意义。作者以盘剑所著《选择、互动与整合:海派文化语境中的电影及其与文学的关系》一书为例,作详细解读。
Due to its comprehensive artistic qualities, film research requires not only the involvement of the researcher’s own life experience, but also the involvement of other disciplines, arts and professions. The author points out that in the case of movies and fiction and other professional disciplines learn from each other skills increasingly mixed, the researcher can only give the movie and even all Professional research more intense vitality, but also can make academic more universal significance. The author takes Pan Jian as a book, for example, “Choice, Interaction and Integration: Film in the Shanghai Cultural Context and Its Relationship with Literature” for a detailed explanation.