自从近四百年前,卡拉瓦乔的《以马忤斯的晚餐》面世以来,观众在很大程度上会因其充满激情的活力、无拘无束的热情,以及破坏画面的透视法而感到刺激、迷惑、振奋、痴迷。虽然这幅作品的主题毋庸置疑,但是围绕画作本身充满了争议。这些争议更多是集中在画面前景的水果篮上。比如,其中的一种争论认为水果篮里面的物品太紧凑了反而显得不自然,因为那仅仅是一篮不合时宜的葡萄、苹果与石榴。关于这一疑问,我想,我 Since Caravaggio’s “Dinner of Emmaus” was introduced nearly 400 years ago, viewers are largely motivated by their passionate energy, their unbridled enthusiasm, and the perspective of destruction of the picture, Confused, inspiring, obsessed. Although the theme of this work is beyond doubt, the controversy surrounding the painting itself is controversial. These disputes are more focused on the picture of the fruit basket on the future. For example, one of the arguments argues that the items in the fruit basket are too unobtrusive because that’s just a basket of outdated grapes, apples and pomegranates. On this question, I think, me