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西河大鼓起源于民间,原只以乡音乡情取胜。质朴的调子配以古老的故事,燕赵的慷慨气韵油然而生。二十世纪30至40年代,它和京韵大鼓前身——“怯大鼓”同时携手步入津门,但后者由于更张易弦改长篇为短段,不仅更为适合城市市民的欣赏品位与习惯,也同时强化了短篇鼓曲作品的文学性和音乐性,再加上频出的巨匠以及与“花部”的关系密切,不仅从中获取文本创意,并且从京戏声腔和程式上丰富了表演。而西河大鼓,虽也有马氏家族——马增芬的《花唱绕口令》等短篇作品轻松愉快
Xihe drum originated in the folk, the original only to win the accent nostalgia. Rustic tone accompanied by the ancient story, Yan Zhao’s generous charm arises spontaneously. The twentieth century, 30-40 years, it and Beijing Yun bass predecessor - “timid bang ” at the same time hand in Jinmen, but the latter due to more easy to change the long section for the short paragraph, not only more suitable for the city to enjoy the taste and customs , While also enhancing the literary and musical nature of the short piece of music, coupled with the frequent master and the close relationship with the “Flower Department”, not only get the text of the creative ideas, and from the Beijing opera sound and program rich Performance. The Drums of the Western River, although there are also Ma’s family - Ma Sin-fen’s “flowers singing tongue twisters” and other short essays relaxed