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韩国古典文学在朝鲜时期登峰造极,女性诗人作为汉诗文学新的创作主体之一而备受关注。《尚书·舜典》有“诗言志”之说,花卉意象正是作为诗人主观情志的载体,把主、客观世界联系到一起,成为通向女性诗人内心世界的桥梁。本文以朝鲜时期包含花卉意象的女性汉诗作品为研究对象展开定量研究,有助于把握花卉意象与女性诗人、民间习俗、时代精神之间的关联,探索花卉意象深入人心的文化根源。
Korean classical literature culminated in the Joseon Dynasty, and the female poet received much attention as one of the new creative subjects of Chinese poetry. “Shangshu · Shundian” has “poetic statement” that the flower image is the carrier of poet’s subjective sentiment, which connects the subject and the objective world and becomes the bridge leading to the inner world of female poets. In this paper, the quantitative study of the feminine Chinese poems containing the flower images in the Joseon Dynasty is helpful to grasp the relationship between the flower images and the female poets, folk customs and the spirit of the times, and to explore the cultural roots of the flower images deeply rooted in the hearts of the people.