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在人类学领域,仪式与象征常被认为是最能体现社会或族群本质特征的行为表述与符号表达,作为一个最基本的生存模式存在于人们的日常实践之中,构成了社会形貌的展示方式,并蕴含着丰富的文化象征。作为侗族文化中最具民族特色的展演活动——萨岁安殿仪式,既是结合了象征性和表演性的一种传统行为方式,又体现了侗族的思维和行动本质。通过对一个典型侗族村寨萨岁安殿仪式的细致考察,从接萨、安萨、祭萨三个主要仪式展演过程入手,揭示出(萨)坛与人、(萨)神与人、人与人以及安殿与祈福之间的相互关系,深刻阐释仪式背后所蕴含的文化象征意义。
In the field of anthropology, rituals and symbols are often regarded as the behavioral expressions and symbolic expressions that best embody the essential characteristics of society or ethnic group. As a basic survival mode, they exist in people’s daily practice and constitute the display of social appearance Way, and contains a wealth of cultural symbols. As the most ethnic-characteristic exhibition activity in the Dong culture, Sa’eian An Dian ritual is not only a traditional way of combining symbolism and performance, but also reflects the Dong’s thinking and action essence. Through the detailed examination of the ceremony of the Saian An Dian in a typical Dong village, starting with the process of demonstrating the three major rituals of Sa, Ansa and Sacrifice, it reveals the relationship between (Sa) altars and people, (Sa) God and people, people People and the relationship between the temple and blessings, a profound interpretation of the ritual behind the symbolic meaning of culture.