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19世纪末20世纪初,在古今文化转换与中西文化撞击的现实环境中,梁启超率先以积极的姿态迎击挑战,他敏锐地意识到民族文化的新生不仅是一个严肃的文化课题,也是一个与民族命运攸关的政治课题;不仅是中西文化交汇融通的问题,也是民族文化传承涅槃的问题。面对这个时代与历史课题,梁启超提出了著名的中西文化“结婚论”。在文化“结婚”的理念指导下,梁启超的美学思想体现出重化合、创新变、扬个性的鲜明的理论风貌。
In the late 19th century and the early 20th century, Liang Qichao took the lead in challenging the challenge with a positive attitude in the context of the cultural change between the ancient and modern times and the collision between Chinese and Western cultures. He was keenly aware that the rebirth of national culture is not only a serious cultural issue but also a reality that fights with national destiny The political issues at stake; not only the integration of Chinese and Western cultures, but also the issue of national culture, the transmission of Nirvana. Faced with this era and historical issues, Liang Qichao put forward the famous “marriage theory” of Chinese and Western cultures. Guided by the concept of “marriage” in culture, Liang Qichao’s aesthetic ideas embody the distinctive theoretical features of reunion, innovation and individuality.