《绝望主妇》(Desperate Housewives)共六季,前三季中的华人常常以被否定的“他者”登场,这是美国导演基于本土意识形态的创造,透露了其通过否定“他者”以肯定自我的隐性目的;但是,注视者在不同的社会语境之下也会有不同的形象诉求:2008年美国爆发经济危机,该剧在相应的时间段出现正面书写华人形象的“转向”趋势,展现了一条由“意识形态”走向“乌托邦”的形象嬗变线索。 Desperate Housewives For six seasons, the Chinese in the first three quarters often appeared on the denied “Other”, a creation created by American directors based on indigenous ideology, revealing that by denying the “Other However, the watchers in different social context will have a different image appeal: the economic crisis in the United States in 2008, the drama appeared in the corresponding period of time to write Chinese image The trend of ”turning “ shows a cue of transmutation from ”ideology “ to ”Utopia ".