论文部分内容阅读
针对电影《二十四城记》中以明星演员演绎被采访的工人引起对此电影“伪纪录片”的评价这一现象,本文从观众的审美心理定势进行研究。依据电影的纪录风格形式,指出纪录片与新纪录电影的含义,并以审美心理学的角度探讨对于纪录风格电影观众观看的审美需要,从纪录电影的虚构原则中指出明星的出现打破纪实性电影的美学传统——真实性,违背审美规律,认定这种以明星诠释“虚构与真实交织”的实验电影的形式不可行。
In view of the phenomenon that the interviewed workers by star actress in the movie “Twenty-four City” deduced the evaluation of the movie “Pseudo-Documentary”, this article studies the audience’s aesthetic psychology. According to the recording style of the movie, it points out the meaning of the documentary film and the new record movie, and discusses the aesthetic need of the film-style audience from the perspective of aesthetic psychology. It points out the star’s appearance breaks the documentary film’s Aesthetic tradition - authenticity, contrary to the aesthetic law, finds that this kind of experimental film with the star interpretation of “fictionalization and real interweaving” is not feasible.