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马克思主义美学作为美学思想中的重要组成部分,对于美术鉴赏与批评具有积极的参考价值,运用马克思主义美学思想研究我国油画的民族性问题具有重要现实意义。文章以我国油画民族化为研究对象,认为油画民族化的建构不单是语言问题、形式问题,更应当是油画内容与精神的民族性建构,其核心是贯穿于油画中的民族意识与民族精神。文章基于马克思美学视角,在梳理我国油画民族性的发展历程、主要表现之后,探讨了中国油画民族性的建构,并对未来中国油画的发展做出展望。
As an important part of aesthetic thought, Marxist aesthetics has a positive reference value for art appreciation and criticism. It is of great practical significance to apply Marxist aesthetics to study the nationality issue of Chinese oil painting. Taking China’s nationalization of oil painting as the research object, the article holds that the construction of nationalization of oil painting is not only a question of language, but also a problem of form. It should be a national construct of content and spirit of oil painting. Its core is national consciousness and national spirit that permeate oil painting. Based on the aesthetics of Marxism, this paper explores the construction of nationality of Chinese oil painting after combing the development history of Chinese nationality of oil painting, and then looks forward to the future development of Chinese oil painting.