本文主要阐述关于“外师造化,中得心源”这一艺术理论的哲学思想和美学内涵,概括解释了艺术创作者与外界客观事物之间的辩证关系,提出了艺术家既要深入生活实践也要提高自身的艺术修养,揭示了创作过程是一个物我交融的过程,深刻阐释了这一理论对中国画创作的深远影响和命题意义。 This article mainly expounds the philosophical thought and aesthetic connotation of the artistic theory of “outside the good fortune, good source ”, explains the dialectical relationship between the creator of art and the objective things of the outside world in a general way, and proposes that the artist should not only deepen his life Practice also improve their own artistic accomplishments, revealing the process of creation is a process of blending things, profoundly explained the profound impact of this theory on the creation of Chinese painting and propositional significance.